Monthly Archive for October, 2007

Anatomy of a national strike

It’s a long time since I’ve been on a demonstration, but when I saw this march in Lille, marking a national strike for public sector pay and conditions, my first impulse was to jump up and join in.

The impulse that won out though, was the one that allowed to me stay in my seat, watch the action and the reaction of the public, and document it with photographs.

Strike
I was amazed at the sheer strength of numbers. The march went on for almost half an hour - people kept on coming and coming. There were teachers, students, electricity and gas workers, transport workers. There were people of all ages, not just idealist youths who haven’t yet learned that changing the world is not as easy as it seems at 17. There were plenty of banners, there were cars sounding their horns, fireworks, and of course, someone with a megaphone shouting slogans.

In the café around me, there were a few grumbles. But they were from the other tourists. The Lillois weren’t all on their side, some looked away, others carried on their conversation, seemingly oblivious, but some sat in silence, watching. There were even a few cheers.

I snapped away, reflecting on the fact that, whether you think it’s right or wrong, these people were acting on principle, they’d taken the trouble to turn up and march, to show the world that they weren’t idling around, they were there because of a cause they believed in. And I think you can see it on their faces.

5 reasons I shoot film

A recent outing with a digital camera made me think. Not while I was taking the photos - I took 64 shots in a couple of hours -that’s one every two minutes. When you allow time for walking and talking it works out at a breathtaking speed. But though I really enjoyed the day, when I had time to reflect it confirmed that digital doesn’t work for me.

exit

So here are my 5 random reasons for shooting film. I could come up with a much longer list.

  1. I’m aware that there are only 36 shots on a roll, so I try to make every shot count.Consequently, I get a higher ratio of shots I’m happy with.
  2. It makes me slow down and think about what I’m doing. It’s one time in fast-paced modern life that I don’t need to rush.
  3. Film grain is pretty, but digital noise is ugly.
  4. If my computer dies, like it did recently, I know my negatives are safe. Unless the computer bursts into flame while I’m not at home, of course.
  5. I get to see the process in action from loading the film to developing the negatives.